Publisher and PRO Spelling and Format: Publisher and Performing Rights Organizations fields must not include typos and must represent the actual publishers and performing rights organizations for the given track.  Do not use parenthesis when entering publishers or performing rights organizations.

 

Compound Publishers and PROs: Each field should contain only one publisher and one performing rights organization, respectively.

Performing Rights Organization examples include:

 

Here’s a list of publishing rights organizations around the world. You (or your publisher) must properly register the appropriate shares of the new composition with a collective rights management organization (CMO) (for example, ASCAP, BMI, or PRS for Music), including the share that belongs to the original publishers and writers of the music you have sampled.

Country

Agencies

Argentina

SADAIC

Australia

APRA-AMCOS

Austria

AKM

Belgium

SABAM

Bolivia

SENAPI

Brazil

ECAD

Bulgaria

PROPHON

Canada

SOCAN

Chile

SCD

China

MCSC

Colombia

SAYCO

Croatia

HDS

Czech Republic

OSA

Denmark

KODA

Estonia

EAU

Finland

Teosto

France

SACEM

Georgia

GCA

Germany

GEMA

Greece

AUTODIA

Hong Kong

CASH

Hungary

ARTISJUS

India

IPRS

Ireland

IMRO

Israel

ACUM

Italy

SIAE

Japan

JASRAC

Lithuania

LATGA-A

Malaysia

MACP

Mexico

SACM

Nepal

MRCSN

Netherlands

BUMA/STEMRA

New Zealand

APRA

Norway

TONO

Panama

SPAC

Peru

APDAYC

Philippines

FILSCAP

Poland

ZAIKS

Portugal

SPA

Puerto Rico

ACEMLA

Romania

UCMR-ADA

Russia

RAO

Senegal

SODAV

Serbia

SOKOJ

Singapore

COMPASS

Slovakia

SOZA

South Africa

SAMRO

South Korea

KOMCA

Spain

SGAE

Sweden

STIM

Switzerland

SUISA

Taiwan

MUST

Thailand

MCT

Trinidad

COTT

Ukraine

UACRR

United Kingdom

PRS

United States of America

ASCAPBMISESACACEMLA (SPACEM)

Uruguay

AGADU

Venezuela

SACVEN